WORK LOG- MASK MAKING

MASK MAKING

A substantial part of our coursework is of course the use of mise en scene, which includes costume and makeup. For our final character profiling we have decided to adhere to the codes and conventions of slasher horror villains and are giving our silent killer a mask which will hide their identity.
We have decided that our mask will be designed in a way which resembles patches of skin taken from different victims, sewn together to make the mask's base. However, instead of having a mask which will cover the entirety of the killers' faces, we have decided to make it so that it only covers approximately half of the face, as it will be the killer's work in progress- they are still 'harvesting' skin from victims, thus it will not yet be complete. This is also good for mise en scene as we are able to show parts of the killers' emotions- they will of course be pleased when they catch the victim in the film opening, therefore we will leave the mouth free of any form of cover so that a smirk etc is visible.

When thinking of how to make the mask, I brainstormed ways in which I could make it realistic looking. I came across several online tutorials regarding special effects skin making, however they all involved use of expensive equipment and products which was not ideal for us as we didn't want to have to limit ourselves to a budget.
I then did further research into young film making companies made up of mostly university students whom had little to no funds when making their films- by doing this, I found out that simple household items could be used to make faux skin...



The items I used to make the mask are as follows:

• A pre-made plain paper mache mask
• plain flour
• vaseline
• skin foundation
• flexible wire
• watercolour paints

Firstly, I mixed together the flour and vaseline to make a scar-wax like consistency- after experimenting with different amounts, I discovered that using one-part vaseline to two-parts flour gave the ideal consistency for the mask.

After this, I added some simple foundation makeup to give the mixture a skin tone- as it was very pigmented, I only needed to add about 1/4 of a teaspoon to give the wax the correct colour. As the mask is supposed to be made up of multiple victims' skin, each new batch of faux skin would be mixed with a different foundation colour, or another household item such as coffee, so the entire mask wasn't made up of the same skin tone.

Once all of the fake skin was made, I began to flatten it out into random shapes with untidy edges, seeing as they would be brutally removed by the killers. Then, I dampened the pre-made paper mache mask, and pressed the faux skin into the mask so it stuck to the surface. I gradually built the side of the face and nose up to make the shape of mask which we wanted for the killers, and once it was done I used watercolour paints on top to create a dirty, bloodied surface on the skin, as before, it looked too clean.

Once the main skin base of the mask was complete, I used flexible wire to make stitches between each patch of skin, so that it would resemble separate sewn patches, by cutting it into small pieces, bending it slightly, and pressing it into the edges of each skin section.

Finally, we cut around where the 'skin' was glued onto the mask, so it created the illusion of only covering a selected part of the face.

UPDATE: This is how our mask appeared on camera. It looked even better when filmed in the dark, as it was not completely clear thus creating a sense of the fear of the unknowing, yet the focus group we asked to watch our piece said still easy enough to tell that the mask was made out of victims' skin.

PROS AND CONS OF THE SLASHER SUB-GENRE

PROS AND CONS OF USING THE SLASHER SUB-GENRE

For our final coursework piece, we have decided to choose the Slasher sub genre as our main basis (with included elements of thriller horror). We picked this sub-genre to focus on as we felt that we are able to express lots of our knowledge of cinematography in general, and experiment with new techniques both in and post-production parts of making the film opening.

Of course, there are both advantages and disadvantages to this choice of sub-genre, and it is important to understand what they are before filming in order to be aware of what we need to put more focus on when filming and editing the opening.


Location

• The codes and conventions of slasher horror feature an extensive range of location; from an everyday well known location such as a school, to a darker and more eerie one such as a forest. For our final film opening, we have decided to use a basic home setting, a dimly lit street, and an urban-style overpass, which are very easy for us to use as it is close to home and it will not cost anything extra to either travel to or use, as they are public settings all within walking distance.
• The only problem we may face with location is mostly to do with the weather. We would ideally like to film in the evening, when everything is dark. It would be ideal for there to be quite miserable, post-rain weather, as this could count as pathetic fallacy- a common convention of the slasher genre. Of course, the weather is out of our control so we cannot decide what it will be like at the time of filming, therefore we can't guarantee a particular type of weather.

Mise en scene

• Mise en scene is a prevalent feature within the slasher sub-genre, as it can make the audience aware of both events which could happen in the future, as well as things like character traits and what type of situation they could end up in according to the codes and conventions of the genre. Luckily, our chosen characters will be very simple to present through mise en scene; alcohol bottles, pill packets and use of simple makeup and costume are simple things which can be included using objects from around the house.
• A problem we may face with props in mise en scene is use of weaponry when filming. The killers will have visible weaponry (handheld such as knives) which if not planned responsibly could result in members of the public wrongly assuming how we are using such items. Another problem which we could possible face is the realism of the makeup used in the film opening. If it doesn't look extremely realistic, the final piece will not look as professional as it should. To overcome this, we are going to ensure that a good amount of time is spent on planning and applying any makeup and special effects so that it looks as realistic as possible.

FINAL CHARACTER PROFILES

Victim

For our AS media film opening we decided to have our initial victim as a female, as in horror films a female is seen as generally more vulnerable which is the feel we wanted for her character. However she isn't a "Mary sue", she is not at all a conservative character, as in the opening she is on her way to pick up some drugs. This will be further emphasised through use of mise en scene, where in her flat there will be various explicit and non conservative items such as lighters, cigarettes and alcohol.

She'll be wearing dark, grungy colours to show that she isn't a pure person, and she will have make up on, for example: smokey black eyeliner and dark lipstick to showcase her non-conservative, somewhat unruly nature. Going by horror film codes and conventions she has done things that would get her killed, and that's what we are aiming to portray through this character; We don't want a final girl in our film opening, but someone that, in a cynical way, deserves death.
An example of this is in the opening of "Scream". Casey (Drew Barrymore) gets a call from an anonymous caller and despite having a boyfriend she gets flirtatious with the person on the other end, even lying and saying she doesn't have a boyfriend. This gives justification for her to be killed off, according to codes and conventions, and does eventually get killed by Ghostface in the opening. 

However, this doesn't mean to say that our character is an 'ice maiden'. When she does get captured, she is genuinely terrified and really wants to stay alive. While she may appear like she hates everything and is a complete sadist who would want to rebell, not caring about the consequences she may face through her non-conservative attitude on the outside, she isn't on the inside. She just wants to get on with her life and do what she likes (which involves traits and characteristics that by horror convention must mean she will die) but by no means does she want her life to end.
In addition to the main first victim, we will also use another victim who has already met their demise because of the actions of the killers- this will be the same girl as seen in the missing poster during the flashback scene of the film opening. We will be displaying their corpse on screen as a way of showing the audience what dangerous situation the (alive) victim is now in.

Killers

To subvert from the traditional slasher use of one killer, we have decided to use two almost identical killers in our film opening. To follow the codes and conventions of slasher horror, both killers will be masked to some extent- we will have masks which we have made to look like patches of victims' skin sewn together which covers part of the face (as it will be the killers' work-in-progress), and they will both be wearing identical black clothing which includes a hoodie which will also work to mask the face. When we put framing focus onto the killers' faces, it will be clear that they are somewhat scarred in a certain way, which could link to their back stories and motives.

Alike certain slasher genre killers such as Halloween's Michael Myers, our antagonists will both be silent as we feel like it will add to the overall eeriness of the situation. This will also make the audience more curious as to what the identities of the killers are.
In addition, they will have simple handheld weapons; a knife and possibly a small axe will be used by them when they are killing their victims, making the situation more frightening as these are objects familiar to most of us.



EDIT: Once filming was complete, it wasn't completely clear that our opening involved two killers, so instead we have decided to recreate the storyboard so that the film opening only involved one killer, which still looks professionally filmed whilst editing, however it doesn't subvert much from the traditions of the slasher genre.

LOCATION SCOUTING

As a substantial part of our coursework research, we have gone location scouting in order to find the ideal settings for our film opening.

Firstly, we decided to use my (Imogen's) house as a starting point, with the idea that we would be able to create a powerful starting setting using mise en scene, which we could accomplish through decoration and props when we film. Our main character in the film opening will be the first victim, and so will match codes and conventions of a non-conservative victim the slasher genre by being a drug user. To make the audience aware of this, we will decorate the living room in order to make it look like some sort of drug user's 'den'. As one of the small rooms in the house is in the process of being decorated, the wallpaper is partially torn, the curtains have been removed, and the room is mostly taken up by a simple bed and mattress, we think that this will act as a good setting well suited to this character, as the room looks rather neglected and mistreated. 

Next, we went outside and took photos of a nearby road; it was dimly lit by street lamps, which would be ideal for us, as we would be filming in the evening when it is dark, as this is a common convention of slasher and thriller horror. This long road is curved, which will provide the audience with the fear of the unknown, and is surrounded by the woods, giving it a hidden appearance which will be seen as eerie to the audience.

As the road was surrounded by the woods, we decided to take photos of parts of the woods seeing as it is a dark and secluded area, which is what we ideally would like to base our film opening around. The only disadvantage of using the woods would be both lighting, as we will be filming at night so it may look too artificial, as well as the fact that we would have liked a more urban setting; something less 'cliche' than the woodland.

Once we had left the woods, we found a nearby pedestrian overpass which crossed over a road. This gave us an ideal setting point as it is both secluded and of an urban 'style', and for us was the most ideal place for the victim to be stalked and eventually captured, as there are many columns which can be used as 'hiding places' for the killers, and the two staircases can present the vulnerability of the victim as she becomes trapped between the two killers who have used both entrances.

Additionally, we wanted a location for the killer to reside in and plan his murders, etc. For this we wanted a location which we could easily make appear eerie and mysterious as well as being an interior location which is nearby and easily accessible. For this, we have decided to use the photography dark room in school, as this is easily accessible and we already have permission to use it as we are both art students. We liked the dark room in particular as it has red lighting which created an eerie, dark effect.

Luckily, all of these settings are in close proximity to one another and are also within walking distance of my house- this is a big advantage to us as we do not have to spend any money to travel to and and also to use these settings as they are all public zones, free of charge to enter.